James Ijames' play "Kill Move Paradise" depicts four Black men and boy stuck in between life and afterlife trying to make sense of lethal violence against Black and brown bodies.
Aliza Nisenbaum's exhibition at Regen Projects shares a new body of work that captures the vibrancy and legacy of Folklorico dance styles.
24th Street Theatre's "Pascal & Julien" shows the unexpected bond between a journalist and a pre-teen who is determined to make him his new father.
Jobel Medina and Elliott Sellers explore rebirth with their new work "IMMDED IMMGEWD" at LA Dance Project.
The Geffen Playhouse season begins with Tarell Alvin McCraney's powerful play about brotherhood and masculinity.
Bernardo Cubría interviewed about 500 Latino voters to develop a play about the Latino vote. The result is a deep dissection of humanity and politics.
Maureen Dougherty's latest exhibition at BLUM interrogates social issues with the help of sensual painting and intuitive artistry.
"Happy Fall: A Queer Stunt Spectacular" translates real-life coming out stories from stunt people with movie magic and the care of Sean Cawelti's love for action.
Marc Bamuthi Joseph's show at the Ford tells the story of fathers of Black children looking for safety and love amid continued racial profiling.
Zanele Muholi's presentation at Southern Guild is an autobiographical exhibition that reflects the self-love, gender expression, and the taboos of reproductive health.
"the bauhaus project" with Open Fist Theatre journeys through the foundations of Bauhaus to uncover its tensions with moraltity during the rise of the Socialist Party.
In Texas, I grew up on NASCAR. Jason Rhoades' latest investigation of car culture opens my eyes to a new view of the racetrack
