I attended the Latino Theater Company's "Encuentro" festival this past week and immersed myself in the magic of Latine theater. Here are the highlights.
Following the results of this year's election, many are shocked by the overwhelming number of Latinos voting for Donald Trump. Here's why it shouldn't be a surprise.
But only for just a second. I've got something to show you about the importance of making bold choices like this director did in "A Streetcar Named Desire."
Nearly 25 years after its release, Lisa Cholodenko's "High Art" is making its restoration premiere in LA. What began as a first swing at independent film became a queer classic.
From veterinary medicine to an exhibition at Roberts Projects, Luke Agada's artistic journey has been unconventional. But his genuine curiosity fuels his approach to the blank canvas.
Artists are pressured to produce the final draft, but the best moments of artistic growth don't come on opening night. They occur in spontaneous moments of discovery months before.
Choreographer Jenn Freeman was diagnosed with autism as an adult as she was developing a new work. Her world opened up with the news and now she is sharing her discoveries with Los Angeles.
James Ijames' play "Kill Move Paradise" depicts four Black men and boy stuck in between life and afterlife trying to make sense of lethal violence against Black and brown bodies.
Aliza Nisenbaum's exhibition at Regen Projects shares a new body of work that captures the vibrancy and legacy of Folklorico dance styles.
24th Street Theatre's "Pascal & Julien" shows the unexpected bond between a journalist and a pre-teen who is determined to make him his new father.
Jobel Medina and Elliott Sellers explore rebirth with their new work "IMMDED IMMGEWD" at LA Dance Project.
The Geffen Playhouse season begins with Tarell Alvin McCraney's powerful play about brotherhood and masculinity.
